elisi: Edwin and Charles (TW (civil servants) by paperthinxgfx)
elisi ([personal profile] elisi) wrote2009-07-20 06:56 pm

3 CoE vid recs + more Jack meta.

All The Pretty Little Horses by [livejournal.com profile] hollywoodgrrl
Summary: Jack Harkness. Torchwood's Pied Piper.
This is most definitely Torchwood’s ‘Handlebars’. And also the most hauntingly and harrowingly beautiful illustration of Jack’s “Began to like it. And look what I became.”
~~~
Requiem – The Show Must Go On. (Moulin Rouge) by [livejournal.com profile] thrace_adams.
Summary: Jack Must Go On.
Jack-centric CoE vid with a definite J/I slant (but don’t let that put anyone off). The vid absolutely does the song justice!
~~~
A Blip in Time by [livejournal.com profile] di_br.
Summary: Ianto has a few things he needs to say before the end.
A CoE Jack/Ianto vid using Ianto’s speech from ‘The Dead Line’. Absolutely gorgeous. Bring tissues.



‘All The Pretty Little Horses’ really made me think, so here is a slightly expanded version of my feedback (with all the flailing taken out):

I very deliberately said that this vid is Torchwood’s ‘Handlebars’, rather than Jack’s, even though Jack is very much the focal point, and (to a great extent) Jack = Torchwood.

Because thinking about it, then Jack can also be seen as Torchwood's ultimate victim. They recruited him, made him into their agent, and then after a hundred years put him in charge... Looking at Suzie, we see what just a few years could do. Multiply it, and you get Jack, Torchwood's very own monster:

Ianto: You like to think you're a hero. But you're the biggest monster of all.

What all this made me think of was the very last scene in ‘Damage’ (AtS 5.11):

Spike: She's...one of us now. She's a monster.
Angel: She's an innocent victim.
Spike: So were we... once upon a time.
Angel: Once upon a time.


The thing is, that Jack’s capacity for monstrousness was hinted at right at the very beginning:

Jack: Two years of my life. No idea what I did. Your friend over there doesn't trust me. And for all I know... he's right not to.

Most of all, when it comes to CoE and Jack and the creation of monsters, these are the lines that come back to me - again from AtS:

Angel: It was art. The destruction of a human being."

We watched the destruction of Jack. And it was art.

[identity profile] http://users.livejournal.com/peasant_/ 2009-07-21 07:46 am (UTC)(link)
Handlebars?

I presume we are talking neither moustaches nor bicycles, so you've lost me.

[identity profile] beer-good-foamy.livejournal.com 2009-07-21 08:33 pm (UTC)(link)
Yup, yup and yup to most of what you say here. And huge thanks for reccing "All the pretty little horses"; one of my favourite Nick Cave songs, used perfectly.

Damn, I'm going to have to do a Nick Cave vid...

[identity profile] zanthinegirl.livejournal.com 2009-07-22 10:51 am (UTC)(link)
We watched the destruction of Jack. And it was art.

I adore Jack, but he always was kind of dark IMO. The doctor has the distance to make moral absolutes; Jack doesn't. He's made a lot of "wrong bloody calls" or however Spike phrased it-- I'm a work of course and no time to look it up!

[identity profile] hollywoodgrrl.livejournal.com 2009-07-22 01:12 pm (UTC)(link)
Thanks so much for the rec! I was hoping for exactly this kind of discussion to come out of the vid. Yay! :)

[identity profile] hollywoodgrrl.livejournal.com 2009-07-22 09:56 pm (UTC)(link)
I enjoyed reading you guys's convo, especially the sonnet. Thanks for linking me. :)

There are times I dearly wished I could vid, because it's possible to say so much just with images that can't be phrased properly with words.
You could always learn. Every vidder was once not a vidder. And it's thoughts like your that certainly drove me to pick it up. ;)

[identity profile] solitary-summer.livejournal.com 2009-08-24 09:39 pm (UTC)(link)
Because thinking about it, then Jack can also be seen as Torchwood's ultimate victim. They recruited him, made him into their agent, and then after a hundred years put him in charge... Looking at Suzie, we see what just a few years could do. Multiply it, and you get Jack, Torchwood's very own monster:

That's very well put.

I've been trying to put this into words since Fragments (and again after Asylum), how Jack managed to (mentally) survive for a century in Torchwood partly by never entirely stopping to see himself as their victim (which I think comes out in episodes like Meat and Reset, when he suddenly completely identifies with the aliens, once they're the helpless victims of someone else's exploitation), even while he worked for them, found people he liked or even loved there, and in the end they became the closest thing to a family he had in all this time; even while he completely internalised their aims and methods to a level I don't think he really was aware of, or chose to ignore, until CoE.


[identity profile] solitary-summer.livejournal.com 2009-08-25 08:15 pm (UTC)(link)
I remember watching 'Fragments' and suddenly *so* many things clicked into place re. Jack, and why he was the way he was.

Yes!! I thought I was the only one who saw it like that! Not so much during S1, but in S2 I never quite understood what made Jack tick or how all the separate aspects of his character came together; Fragments was the missing piece that suddenly made sense of the whole.

You know, I think another thing is that Torchwood was probably not entirely unlike the Time Agency, so that he felt 'at home' even though he might not be comfortable.

You're right, and I phrased it badly. What I meant was the step from thinking of himself on some level as the (mostly) good guy in (mostly) bad organisation he'd been (mostly) forced to join against his will, to realising that the century spent there left its traces.