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One thought.
OK, I am in no fit state to discuss all the ZOMG WHAT WHAT WHAT WHAT WHAT WHAT WHAT WHAT WHAT WHAT WHAT WHAT WHAT WHAT WHAT WHAT WHAT WHAT aspects of the episode.
So for now, all I'll say is WELCOME BACK GAY AGENDA, and... who else is now thinking Canton/Peterson?
I mean, it would add a whole other level to the whole 'Do not compliment the intruder!' business! :)
So, unless it's actually refuted on screen, this will be my canon.
(The rest of the episode will have to wait. My brain is just desperately trying not to implode...)
So for now, all I'll say is WELCOME BACK GAY AGENDA, and... who else is now thinking Canton/Peterson?
I mean, it would add a whole other level to the whole 'Do not compliment the intruder!' business! :)
So, unless it's actually refuted on screen, this will be my canon.
(The rest of the episode will have to wait. My brain is just desperately trying not to implode...)

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But yes. My brain imploded with the flailing around about this episode. Waiting for it to download was the longes 45 minutes of my life.
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Oh yes:
Canton (about why he was kicked out): "I just wanted to get married."
Amy: "Is that a crime?"
Canton: "Yes."
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Think this might be the first Mark Shepard character that I actually like.
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*nods* I was HOPING he was gay, but - like Nixon suspected - it could perfectly well have been that he was in love with a black woman. Or a Communist or something. Even the little adjustment of the bow tie was something the Doctor engineered, rather than something for people to point to. (Not that I didn't love it, mind you.)
Think this might be the first Mark Shepard character that I actually like.
I've only seen him on Firefly otherwise, where he was a bit of a creep... So yeah, I can agree with that!
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*grin*
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;)
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I love Canton. I love that he is brave enough to be rather openly in love with a black man during a time where that could easily get him more than fired, but locked up, or even killed. I love that Moffat and the show were willing to go there. I hate the inequalities in our very recent past (and present) that make the idea of going to the moon seem more accessible than treating everyone like equals. Cheers to the show. Boo to inequality.
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Having just rewatched it, then I'd say that Nixon is definitely rather uncomfortable there at the end - I remember reading about those remarks he made, but in this instance I can see him 'being the politician' and telling someone what they want to hear. Plus, it'd be a perfect example of 'I have piles of interracial couples as friends - ergo, that totally means I can discriminate against them' (that was from someone who wouldn't perform interracial weddings, like, last year!) Anyway, the gay thing clearly threw him (Nixon) a lot...
Anyway, I am wondering how much they've actually re-searched, and mostly think that the episode reflects today's struggles (the way fiction so often does) - gay marriage is a thorny issue in America, so that's what they wrote about (and very well too). History just got a big mangled.
(Again, look at the outrage when Martha's family were all put in servant's uniforms by the Master at the end of S3 - I doubt the problematic nature of this would ever have crossed RTD's mind, nicely proving that colourblindness can be a handicap.)
And now I'm waffling (I've just woken up...) - mostly though, I loved how the show framed it: 'Canton just wants to get married'. Simple enough for a child to understand. Simple enough for children to say 'But why can't he?' And simple enough for any adult to struggle with an answer. Really, you just summed it up beautifully with 'Cheers to the show. Boo to inequality.' :)
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They stand back to back, so that they're never turned away from the Silence surrounding them. Her eyes are his eyes, his eyes are hers. And if they trust each other implicitly (which I think the Doctor does, but he willfully wishes not to because he doesn't know her so how can he trust her?) then they don't need to remember because their other half will.
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The Doctor is always the one pressing for knowledge from River (spoilers! He can't resist a mystery, especially when he embodies the mystery with his implicit trust of her) -- but it goes both ways as he knows how she'll die.
It makes me think of how one may view marriage as being the person entrusted with your partner's secrets -- only to the point where you know more than your partner does. The Doctor tells Amy his life is in her hands, but it's almost like a willful choice -- he knows his life is already in River's hands, his future is in her mind, and he can't know it. His turning to Amy is part rebellion for how River has control over him always (he'll choose! he's in control!) and part sincerity for his connection to Amy. I love that moment, how Alex Kingston closes her eyes in quiet resignation when he deliberately rejects her and turns to Amy -- she can tell he's acting out, she knows him better than anyone, and she accepts it because there's more important matters.