Entry tags:
DW 8.08. Mummy on the Orient Express.
This is pretty short, especially compared to my usual offerings...
I have a few thoughts, but I think I'm a bit meta'd out after last week. My main observation is that this one I just found immensely likeable. It carried through all the themes of the season (soldiers - really, that whole part was beautiful - fear as a motivator, Clara's Doctor-ness etc), but above all this was a character piece. It picked up from last week beautifully, and since Clara has had a normal upbringing with loving parents she is able to deal with, and voice, her emotions. We see the Doctor's unease, but she says her piece and both we, and the Doctor, know where she stands. Of course then the plot begins to unfold and she is taken through another emotional rollercoaster, and ends up with a change of heart.
Those that think it comes out of nowhere, please see the conversation between Clara and Maisie:
'It would be so much easier if we could just like the people we're supposed to like. But then I guess we wouldn't need fairy tales.'
The whole nature of the story, the way they're all being manipulated, is also the sort of stuff I love. I wonder who is pulling the strings...
Perkins! Almost forgot Perkins. He was wonderful, and I could totally see Twelve/Perkins. (I've not really thought about Twelve and relationships, because he's so abrasive, but Perkins... Yes, I could see it.)
But above all I adore that scene on the beach (the music! I don't think I've mentioned Twelve's theme yet, but I love it, and how oddly sombre it is), which of course evokes another...

CLARA: Weren't we just on a train?
DOCTOR: Oh, that was ages ago.
There is something about the way he says that line that reminds me of something I can't quite put my finger on. Although it might be this Seventh Doctor quote:
MEL: I'm going now.
DOCTOR: Yes, that's right, you're going. You've been gone for ages. You're already gone. You're still here. You've just arrived. I haven't even met you yet. It all depends on who you are and how you look at it. Strange business, time.
But of course then they talk. Love this exchange more than words can say:
CLARA: So you saved everyone.
DOCTOR: No I just saved you and let everyone else suffocate. Hahaha.
But here's the heart of it of course:
CLARA: So when you lied to me, when you made me lie to Maisie-
DOCTOR: I couldn't risk Gus finding out my plan to stop him.
CLARA: So you were pretending to be heartless.
DOCTOR: Would you like to think that about me? Would that make it easier? I didn't know, if I could save her. I couldn't save Quayle, I couldn't save Moorhouse, there was a good chance that she would die too. At which point, I would have just moved onto the next, and the next, until I beat it. Sometimes the only choices you have are bad ones. But you still have to choose.
This seeming heartlessness is not a new thing of course. To pull out the two quotes that sprang to my mind:
RIVER: There are five people in this room still alive, focus on that. Dear God, you're hard work young!
Forest of the Dead
RIVER: Father Octavian, when the Doctor's in the room, your one and only mission is to keep him alive long enough to get everyone else home.
Flesh and Stone
The trajectory here is interesting, actually. River was very much the Doctor's protector (the very few times she loses it, it is because the Doctor gets shot). Morally, she doesn't much care - she's a Pond, she is very much focussed on 'her' people. Clara starts out the same way, sort of. The Doctor deeply impresses her on Akhaten, and she sees a way using her natural people-caring skills on a much bigger scale. It is centred around the Doctor, and we see how devoted she is in Name of the Doctor especially. Of course there was an undercurrent of slight mistrust, as the Doctor did not understand her impossibleness, which led to odd suspicions on both sides. But of course it got resolved, and everything was lovely.
Enter Twelve. And Clara's absolutes being to crumble. I've been saying that she is becoming more and more Doctor-y, and it's an fascinating process. She is becoming more detached from the Doctor, and rather than seeing the world as centred around him she is coming to see the world from his point of view. Not looking at him, but looking through his eyes. ('Sometimes the only choices you have are bad ones. But you still have to choose.' She understands this now. it would probably have been better if he'd explained this before abandoning her on the Moon, but better late than never.)
Which, sort of, brings me to my new header.
The comments/discussions on my Kill the Moon post were rather excellent, and the most interesting point was that Caecilius and Frobisher were both involved in Fixed Point events. (Well Children of Earth might be a 'fuzzy' point - either way, the Doctor will not go near it.) And this could have something to do with why he has this particular face...
Also Clara is of course 'the woman twice dead', so we have three separate characters for each of them. Which was just so plain neat that I couldn't not do something with it.
The words are from this song, and are just beautiful and poetic:
(Lyrics)
And that's all for today. :)
(Spoilers for Flatline in comments.)
I have a few thoughts, but I think I'm a bit meta'd out after last week. My main observation is that this one I just found immensely likeable. It carried through all the themes of the season (soldiers - really, that whole part was beautiful - fear as a motivator, Clara's Doctor-ness etc), but above all this was a character piece. It picked up from last week beautifully, and since Clara has had a normal upbringing with loving parents she is able to deal with, and voice, her emotions. We see the Doctor's unease, but she says her piece and both we, and the Doctor, know where she stands. Of course then the plot begins to unfold and she is taken through another emotional rollercoaster, and ends up with a change of heart.
Those that think it comes out of nowhere, please see the conversation between Clara and Maisie:
'It would be so much easier if we could just like the people we're supposed to like. But then I guess we wouldn't need fairy tales.'
The whole nature of the story, the way they're all being manipulated, is also the sort of stuff I love. I wonder who is pulling the strings...
Perkins! Almost forgot Perkins. He was wonderful, and I could totally see Twelve/Perkins. (I've not really thought about Twelve and relationships, because he's so abrasive, but Perkins... Yes, I could see it.)
But above all I adore that scene on the beach (the music! I don't think I've mentioned Twelve's theme yet, but I love it, and how oddly sombre it is), which of course evokes another...

CLARA: Weren't we just on a train?
DOCTOR: Oh, that was ages ago.
There is something about the way he says that line that reminds me of something I can't quite put my finger on. Although it might be this Seventh Doctor quote:
MEL: I'm going now.
DOCTOR: Yes, that's right, you're going. You've been gone for ages. You're already gone. You're still here. You've just arrived. I haven't even met you yet. It all depends on who you are and how you look at it. Strange business, time.
But of course then they talk. Love this exchange more than words can say:
CLARA: So you saved everyone.
DOCTOR: No I just saved you and let everyone else suffocate. Hahaha.
But here's the heart of it of course:
CLARA: So when you lied to me, when you made me lie to Maisie-
DOCTOR: I couldn't risk Gus finding out my plan to stop him.
CLARA: So you were pretending to be heartless.
DOCTOR: Would you like to think that about me? Would that make it easier? I didn't know, if I could save her. I couldn't save Quayle, I couldn't save Moorhouse, there was a good chance that she would die too. At which point, I would have just moved onto the next, and the next, until I beat it. Sometimes the only choices you have are bad ones. But you still have to choose.
This seeming heartlessness is not a new thing of course. To pull out the two quotes that sprang to my mind:
RIVER: There are five people in this room still alive, focus on that. Dear God, you're hard work young!
Forest of the Dead
RIVER: Father Octavian, when the Doctor's in the room, your one and only mission is to keep him alive long enough to get everyone else home.
Flesh and Stone
The trajectory here is interesting, actually. River was very much the Doctor's protector (the very few times she loses it, it is because the Doctor gets shot). Morally, she doesn't much care - she's a Pond, she is very much focussed on 'her' people. Clara starts out the same way, sort of. The Doctor deeply impresses her on Akhaten, and she sees a way using her natural people-caring skills on a much bigger scale. It is centred around the Doctor, and we see how devoted she is in Name of the Doctor especially. Of course there was an undercurrent of slight mistrust, as the Doctor did not understand her impossibleness, which led to odd suspicions on both sides. But of course it got resolved, and everything was lovely.
Enter Twelve. And Clara's absolutes being to crumble. I've been saying that she is becoming more and more Doctor-y, and it's an fascinating process. She is becoming more detached from the Doctor, and rather than seeing the world as centred around him she is coming to see the world from his point of view. Not looking at him, but looking through his eyes. ('Sometimes the only choices you have are bad ones. But you still have to choose.' She understands this now. it would probably have been better if he'd explained this before abandoning her on the Moon, but better late than never.)
Which, sort of, brings me to my new header.
The comments/discussions on my Kill the Moon post were rather excellent, and the most interesting point was that Caecilius and Frobisher were both involved in Fixed Point events. (Well Children of Earth might be a 'fuzzy' point - either way, the Doctor will not go near it.) And this could have something to do with why he has this particular face...
Also Clara is of course 'the woman twice dead', so we have three separate characters for each of them. Which was just so plain neat that I couldn't not do something with it.
The words are from this song, and are just beautiful and poetic:
(Lyrics)
And that's all for today. :)
(Spoilers for Flatline in comments.)

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Gorgeous meta, as always...wonderful parallels and quotes to boot.
*HUGS*
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Yes, it's complicated and difficult - he trusts her to do his job (Kill the Moon), but that doesn't mean it's straightforward. He's been doing this a long time, she is just starting out. BUT. If you look on it as him essentially training her up to do his job... It fits beautifully.
Gorgeous meta, as always...wonderful parallels and quotes to boot.
Thank you. Very short, but I wanted to write something. It was such a lovely episode. :)
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I'm a little worried about Clara losing herself, though. This is more insidious than being torn apart by the time winds and her echoes showing up in the Doctor's timeline.
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I don't know that I see the Rose parallels so much... Not that they aren't there, but the emphasis was very very different with Rose. Clara is much more aware of how dangerous the Doctor is, whereas the number one priority for Rose was to stay with him, come what may. (Rose was focussed on the Doctor (like River), Clara is being drawn into his world, learning to understand why he is the way he is.)
I'm a little worried about Clara losing herself, though. This is more insidious than being torn apart by the time winds and her echoes showing up in the Doctor's timeline.
Mmmm. But then what is she? *pokes her again*
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But then what is she? *pokes her again*
Whatever she is, she was specifically 'chosen' for the Doctor... :X
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All Companions become like the Doctor. It's part of the job. But Clara was like that from the beginning...
Whatever she is, she was specifically 'chosen' for the Doctor... :X
I said - way back after Asylum of the Daleks - that there were SHENANIGANS afoot. (How did Oswin end up in the Asylum? It shouldn't be possible.)
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(With Moffat the solution is always that people are all the things. More is more.)
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Moffat
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ETA: Also this. (The quote in the middle)
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she is coming to see the world from his point of view. Not looking at him, but looking through his eyes.
'I just hacked your optic nerve'…..it just keeps getting better. The Doctor is literally seeing through Clara's eyes as she literally takes his place (and screwdriver) as The Doctor. And your quotes above about the seeming heartlessness in the far of death are also even more relevant in light of the ending of Flatline. Oh Clara, where are you going…(I *know* you don't like to emphasise the parallels between Rose and Clara, because they had very different focuses and reasons for their actions, but I can't help but be reminded of 'Fear Her' in Flatline - not just the evil drawings sucking people into 2D, but also the way the Doctor and the Tardis are taken by the monster and it's up to Rose/Clara to be the Doctor and save the day…and the supposedly happy ending marred by some doom-laden foreshadowing. Anyway.)
Also, OH LOOK THE TARDIS BECAME EVEN MORE OF A SQUARED CIRCLE THAN IT IS NORMALLY.
I CAN'T WITH ALL THIS OVERT SYMBOLISM. I'M GOING TO BED NOW.
….oh, except one thing I've been pondering: all the eyes. So, so many references now - they are definitely leading to something. We know that Missy has apparently been watching the Doctor and Clara's every move, so maybe that's just it? Constant reminders that she is watching and possibly in control….or perhaps something is going to be made of Clara, having *watched* and learned all about the Doctor? Is she going to be made some sort of Witness against him?
Definitely bedtime.
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Dunno. And 2am? Next time, just go to bed and talk to me Sunday. :)
'I just hacked your optic nerve'…..it just keeps getting better. The Doctor is literally seeing through Clara's eyes as she literally takes his place (and screwdriver) as The Doctor.
The dinosaur was killed because of important information in its optic nerve... It's alllll about eyes! (Can't wait to see what you do with all this.)
And your quotes above about the seeming heartlessness in the far of death are also even more relevant in light of the ending of Flatline. Oh Clara, where are you going…
She has mirrored the Doctor from the very beginning. This is the natural ending point. (Not that this is the end, but this has been foreshadowed since forever.)
I *know* you don't like to emphasise the parallels between Rose and Clara, because they had very different focuses and reasons for their actions, but I can't help but be reminded of 'Fear Her' in Flatline - not just the evil drawings sucking people into 2D, but also the way the Doctor and the Tardis are taken by the monster and it's up to Rose/Clara to be the Doctor and save the day…and the supposedly happy ending marred by some doom-laden foreshadowing. Anyway.
Well, those are sort of opposite ends of the spectrum for quality, but I know what you mean. I wish Rose had been allowed to be as amazing as she could have been/as she sometimes was.
Also, OH LOOK THE TARDIS BECAME EVEN MORE OF A SQUARED CIRCLE THAN IT IS NORMALLY.
Flatline seemed to go out of its way to tick all the boxes I had laid out in my Kill the Moon meta. *is smug*
I CAN'T WITH ALL THIS OVERT SYMBOLISM. I'M GOING TO BED NOW.
I HOPE YOU SLEPT WELL!
….oh, except one thing I've been pondering: all the eyes. So, so many references now - they are definitely leading to something. We know that Missy has apparently been watching the Doctor and Clara's every move, so maybe that's just it? Constant reminders that she is watching and possibly in control….or perhaps something is going to be made of Clara, having *watched* and learned all about the Doctor? Is she going to be made some sort of Witness against him?
No idea. Am leaving that one alone for now...
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Ha. Yeahhh….in theory, excellent idea. In practise: NOT POSSIBLE! When Season 5 was airing I was living in Spain and had no wifi in my flat. I used to take my laptop and sit outside my university faculty building (across the road from my flat) to steal the wifi and download the ep at 3am.
Well, those are sort of opposite ends of the spectrum for quality, but I know what you mean. I wish Rose had been allowed to be as amazing as she could have been/as she sometimes was.
Oh yes. Agreed on both counts. I don't think Fear Her is the absolute *worst* New Who ep, but it's definitely…dodgy…whereas Flatline was BRILLIANT.
Flatline seemed to go out of its way to tick all the boxes I had laid out in my Kill the Moon meta. *is smug*
You deserve ALL THE SMUG.
I am feeling the need to write a summary of the various repeated themes/tropes that have come up this season, much like I did with all the Clara theories last season. I can't keep them all in my head any more, and think I might understand them better if I have them written down…will try to do something before the 2-part finale.
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That is... dedication. Wow.
Oh yes. Agreed on both counts. I don't think Fear Her is the absolute *worst* New Who ep, but it's definitely…dodgy…whereas Flatline was BRILLIANT.
Fear Her is not a very good example, actually. Turn Left is much better, and why I think Rose got screwed over - I was so pleased with how competent and brilliant she was, and then the second the Doctor returned it was all about him, again. Whereas with Clara it's very much Clara-centric... She has the Doctor to guide her a lot of the time, and it's all set up very specifically to make her 'Doctor-like' - and to show the downside also.
You deserve ALL THE SMUG.
:D
I am feeling the need to write a summary of the various repeated themes/tropes that have come up this season, much like I did with all the Clara theories last season. I can't keep them all in my head any more, and think I might understand them better if I have them written down…will try to do something before the 2-part finale.
Sounds like an excellent idea!
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She is becoming more detached from the Doctor, and rather than seeing the world as centred around him she is coming to see the world from his point of view. Not looking at him, but looking through his eyes.
Y E S. I've been fascinated by Clara's character arc lately but hadn't managed to pin down what exactly she's been turning into. THIS IS IT. And so distinct from the ways Amy and Eleven were the same but codependent -- Clara and Twelve aren't "addicted" to each other so much as Clara is becoming more and more his "accomplice".
Special golden star for The Pierces.
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Don't blame me, blame the show.
Y E S. I've been fascinated by Clara's character arc lately but hadn't managed to pin down what exactly she's been turning into. THIS IS IT. And so distinct from the ways Amy and Eleven were the same but codependent -- Clara and Twelve aren't "addicted" to each other so much as Clara is becoming more and more his "accomplice".
Flatline. That's all I'm saying.
Special golden star for The Pierces.
You can thank Promethia for that one. She was going to make an Amy-River-Clara vid to it...
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I JUST SAW IT. EVERYTHING I WANTED.
Btw, happy upcoming birthday!
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IKR? For me, it was like the writers took my Let's Kill the Moon post and went out of their way to tick every box...
Btw, happy upcoming birthday!
Thank you! :)
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That was also my feeling—very much enjoyed it :)
above all this was a character piece.
since [Clara] has had a normal upbringing with loving parents she is able to deal with, and voice, her emotions. We see the Doctor's unease, but she says her piece and both we, and the Doctor, know where she stands.
*nods* Loved that as well :) Communication, at last!
I wonder who is pulling the strings...
Still haven't seen Flatline but I only glimpsed a few very faintly spoilery things and I get the feeling you did call some things and get it quite right, didn't you? ;)
MEL: I'm going now.
DOCTOR: Yes, that's right, you're going. You've been gone for ages. You're already gone. You're still here. You've just arrived. I haven't even met you yet. It all depends on who you are and how you look at it. Strange business, time.
Oh that's a beautiful quote ♥ CLASSIC.
Loving the thoughts on apparent heartlessness, River vs. the Doctor vs. Clara. And the header! ;) And that song! It's beautiful and the lyrics are gorgeous indeed ♥
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No wonder the Doctor is so thrown... ;)
Still haven't seen Flatline but I only glimpsed a few very faintly spoilery things and I get the feeling you did call some things and get it quite right, didn't you? ;)
It's fair to say that I'm feeling rather smug, yes. *cough*
Oh that's a beautiful quote ♥ CLASSIC.
I ADORE Seven. ♥
Loving the thoughts on apparent heartlessness, River vs. the Doctor vs. Clara. And the header! ;) And that song! It's beautiful and the lyrics are gorgeous indeed ♥
It all just came together!
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No wonder the Doctor is so thrown... ;)
Indeed. :)
It's fair to say that I'm feeling rather smug, yes. *cough*
Quite right too. XD (See-through-her-eye imagery! The TARDIS being a square box with I think circles on her that reminded me so much of the Pandorica! Plus the obvious with Clara and Missy. Did you shout at your screen? I would have but maybe you're a more dignified person XD)
I ADORE Seven. ♥
♥♥♥
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Thank you! ♥
Quite right too. XD (See-through-her-eye imagery! The TARDIS being a square box with I think circles on her that reminded me so much of the Pandorica! Plus the obvious with Clara and Missy. Did you shout at your screen? I would have but maybe you're a more dignified person XD)
I just felt very smug. And the children said 'It looks like the Pandorica!' and I went 'Oh, there's more to it than that...'
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(That icon XD)
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I'm really curious to hear your thoughts on Flatline.
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And Flatline seemed to tick a LOT of my boxes. I felt rather smug...
Happy Birthday!
Re: Happy Birthday!
♥ ♥ ♥